{"id":330,"date":"2011-08-05T08:52:12","date_gmt":"2011-08-05T08:52:12","guid":{"rendered":"http:\/\/linesfiction.de\/lf\/?page_id=330"},"modified":"2025-03-27T16:08:51","modified_gmt":"2025-03-27T16:08:51","slug":"katrin-stroebel","status":"publish","type":"page","link":"https:\/\/linesfiction.de\/lf\/lines-fiction-online\/katrin-stroebel\/","title":{"rendered":"Katrin Str\u00f6bel"},"content":{"rendered":"\n<p>&nbsp;<\/p>\n\n\n\n<p><u>Lines Fiction: Your work is affected by your traveling through and working in African countries like Morocco, Senegal, Nigeria and South Africa . You even started to learn how to speak and write Arabic. How do these travels influence your drawings? <\/u><\/p>\n\n\n\n<p>Katrin Str\u00f6bel: To travel is a really important part of my work, because I like sometimes to be displaced in order to develop my work under different, unstable and temporary conditions. I also like to question my work &#8211; or rather the visual language of my work &#8211; in non-western contexts, that is one reason why I worked a lot in Arabic, Subsaharian African countries or in Latin America. That\u00b4s sometimes risky, sometimes exhausting, but I learned so much about my work and my own practise by working in these countries, things that I would have never learned in Europe! It\u00b4s true that I started to learn Arabic before I went to Morocco, but I can hardly speak or write Arabic. Well, at least I know the different letters (arabic letters look different if they are at the beginning in the middle or in the end of a word), I can read street signs, advertisings and I can ask for bread or a kilo of tomatoes at the medina market&#8230;<\/p>\n\n\n\n<p><u>Lines Fiction: Does your affinity to writing in patterns shape your entire drawing style or where do you see the main influences on your work?<\/u><\/p>\n\n\n\n<p>Katrin Str\u00f6bel:<\/p>\n\n\n\n<p>It\u00b4s hard to say HOW it influences my work, but it defintely influences it a lot. I was very interested in the idea of calligraphy as an interface between text and image. But simply the fact that I tried to learn a completely different language based on a completely different structure than the other languages I speak was a very important experience. It really opened my brain: A language with an entirely different system of grammar, a very different type of letters, and mainly the fact that I had to learn to read and write from the right to the left was a real challenge for me and changed my perception and surely also my way of drawing. It\u00b4s very visible in works like RASM and other works on paper that I did at that time. But I keep thinking and working about the links between visual and verbal structures of language and how these conditions influence the way we express ourselves in words or images. And &#8211; against this background &#8211; how we deal with cultural codes in general. The first thing I had to deal with when I started to work in so called non-western contexts is that the perception of my work was often really different, it was &#8220;read&#8221; differently, embedded in a different cultural context. How do these contexts change or influence my work? And what is &#8211; despite of these changing conditions &#8211; the autonomous unaltered nucleus of my work?<\/p>\n\n\n\n<p><a href=\"http:\/\/www.katrin-stroebel.de\" target=\"_blank\" rel=\"noopener\">www.katrin-stroebel.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Lines Fiction: Your work is affected by your traveling through and working in African countries like Morocco, Senegal, Nigeria and South Africa . You even started to learn how to speak and write Arabic. How do these travels influence &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"more-link\" href=\"https:\/\/linesfiction.de\/lf\/lines-fiction-online\/katrin-stroebel\/\"> <span class=\"screen-reader-text\">Katrin Str\u00f6bel<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":118,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-330","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Katrin Str\u00f6bel - Lines Fiction \u2605 Drawing &amp; Animation \u2605<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/linesfiction.de\/lf\/lines-fiction-online\/katrin-stroebel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Katrin Str\u00f6bel - Lines Fiction \u2605 Drawing &amp; Animation \u2605\" \/>\n<meta property=\"og:description\" content=\"&nbsp; Lines Fiction: Your work is affected by your traveling through and working in African countries like Morocco, Senegal, Nigeria and South Africa . 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