Maria Otterbein: Our animations essentially consist of many layers that interact with each other. In[IM]PULS Vol. 1, the main motif is enveloped by a combination of events. Contrasts are created through different formal languages, their consistency, properties and structures. Elements …
The film animations resemble musical sequences or rhythms. I compose, build, and draw with overlays of material, light, and sounds. Digital and analog experimentation are equally important to me. Immersion in the temporal dimension, not narration. The work does not …
Lara Faroqhi: The film describes many things that have been present in other works. Four Steps is about movement, about walking (the word passacaglia comes from the Spanish term “pasear por la calle“, which means “to walk through the streets“). …
The first Lino film was created in 1987, my last year at the academy of arts in Berlin where I studied painting. I experimented a lot with Super 8 mm, I wanted to mount my paintings together with photography, and …