Sandra Boeschenstein
Yes, the drift of meaning is central. Therefore drawing in its medial pureness is most suitable. Lines exist without ballast and they are versatile, changing the system without rupture is their strength. From the same stroke I can form binoculars or eye flows, a talking mouth or a word. For me drawing stands for availability witout arrogance, and for greatness without monumentality. The relative extent – for example of a drawn globe – only gets its dimensions in the eye of the beholder. As a line it is only an offer for someone’s imagination.
“no animals were harmed in the making of this movie”