Kristinn Hardarsson
My work in general have a tendency towards the handmade; more so unconsciously I believe. This particular work, The Fox, is constructed with the form of children’s books in mind and the story is even in some way not far …
Author: linesfiction
Move the Line, Zeichnung & Computeranimation im Horst Janssen Museum Oldenburg 2016
Move the Line // Eröffnung / Opening February 27, 2016 Horst Janssen Museum Oldenburg 28 February 28 – May 22, 2016
Chris Doyle
Watercolor has always been the way that I have worked out ideas. And I have always liked making them very large. It is a way of drawing that we think of as delicate and intimate, which I think in part …
Volker Saul
My work moves towards realities, and dissociates itself again from the figurative. Some drawings reflect both, microcosm and macrocosm. There are influences of comics or badges, signs, and emoticons. >> Volker Saul
Carolin Jörg and Michael Fragstein
together developed the project “Second Glance”: Drawing and Augmented Reality We previously made first drafts and animation concepts to find the shape that could stand on paper, as well as offering new levels for the animation. The working practice was …
Eelco Brand
Besides the sketches for animation works I now and then make pencil drawings as autonomous works. I started as a painter and during all these years of working on computers I somehow miss the real handwork and look for ways …
SUMMERTIME! >>
19 artists active on Lines Fiction presented a special program with new animations fit for the summer of 2015. OLD PONIES : NEW TRICKS
Simona Koch
In my experience scientists indeed can be interested in an exchange with artists. Both fields are very different and can inspire each other. Scientist are working within a framework of rules and have to proof the hypothesis they make up …
David Mackintosh
I make all of my work very quickly, each drawing is made in seconds. I make a lot on A1 paper each time I work, and throw the bad ones away. The drawings that work best are those that have …
Sandra Boeschenstein
Yes, the drift of meaning is central. Therefore drawing in its medial pureness is most suitable. Lines exist without ballast and they are versatile, changing the system without rupture is their strength. From the same stroke I can form binoculars …