Susanne Rosin
My work is based on an intense observation of space and flatness. To accent this, I construct the scene in a way that it looks like a “strange” place. It’s a practice, that overdraws and modifies the real space, but …
Category: Frame by Frame Animation
Norbert Trummer
Presenting my drawings in a book gives me the possibility to reach more people with my work, it got a democratic aspect. Anybody who likes that stuff can easily buy such a book. One can take the whole project home …
Sarah Jane Lapp
In the digital age, I continue to draw with crow quill and ink because I crave, like a vampire, the direct kinesthetic contact provided by hand, paper and pen. I could live in my own drawings; they are tidier than …
Jennifer Levonian
I use watercolors in these animations because the transparent and fluid qualities of the marks remind me of movement. The cutout puppets are a lot like paper dolls and I think this reference to children’s toys with all their innocence …
Marco Raparelli
The drawings mirror the imperfection of the characters that I portray, the same physical and mental improvisations. For this reason my drawings sometimes are funny and dark at the same time, I’m like a television transmitter.I utilize a style that …
Kakyoung Lee
As a printmaker, drypoint is my favorite medium. I have studied printmaking since 1993. I have had numerous shows with lots of prints and drawings, including from traditional prints to life size installations using cutout prints, artist books, and even …
Serge Onnen
Serge Onnen: Making a phenaticoscope is still a lot of drawing. But the strength is that it all fits together in one image. I like Art to be a powerful image. DEPOSIT is about recycling empty bottles. Recycling & rotation …
Katrin Ströbel
To travel is a really important part of my work, because I like sometimes to be displaced in order to develop my work under different, unstable and temporary conditions. I also like to question my work – or rather the …
Monika Bartholomé
May be it was not as much the medium film itself that interested me, but the question how does a drawing evolve, how do I start, how do I find my theme, how do I set in motion what I …
Karen Yasinsky
Marie is rotoscoped from a scene in the film Au Hasard Balthazar by Robert Bresson. I chose this scene for the melodrama of her dialogue and passivity of her face and lack of animation. She is a talking head in …