Linus Fiction, Author at Lines Fiction ★ Drawing & Animation ★ - Page 2 of 4
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Kristinn Hardarsson

Kristinn Hardarsson My work in general have a tendency towards the handmade; more so unconsciously I believe. This particular work, The Fox, is constructed with the form of children’s books in mind and the story is even in some way …

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Move the Line, Zeichnung & Computeranimation im Horst Janssen Museum Oldenburg 2016

Move the Line // Eröffnung / Opening February 27,  2016 Horst Janssen Museum Oldenburg 28 February 28 – May 22, 2016      

Chris Doyle

Chris Doyle Watercolor has always been the way that I have worked out ideas. And I have always liked making them very large. It is a way of drawing that we think of as delicate and intimate, which I think …

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Volker Saul

Volker Saul My work moves towards realities, and dissociates itself again from the figurative. Some drawings reflect both, microcosm and macrocosm. There are influences of comics or badges, signs, and emoticons.

Carolin Jörg and Michael Fragstein

Carolin Jörg and Michael Fragstein together developed the project “Second Glance”: Drawing and Augmented Reality We previously made first drafts and animation concepts to find the shape that could stand on paper, as well as offering new levels for the …

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Eelco Brand

Eelco Brand Besides the sketches for animation works I now and then make pencil drawings as autonomous works. I started as a painter and during all these years of working on computers I somehow miss the real handwork and look …

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SUMMERTIME! >>

19 artists active on Lines Fiction show a special program with new animations fit for the summer – Enjoy! OLD PONIES : NEW TRICKS

Simona Koch

Simona Koch In my experience scientists indeed can be interested in an exchange with artists. Both fields are very different and can inspire each other. Scientist are working within a framework of rules and have to proof the hypothesis they …

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Sandra Boeschenstein

Sandra Boeschenstein Yes, the drift of meaning is central. Therefore drawing in its medial pureness is most suitable. Lines exist without ballast and they are versatile, changing the system without rupture is their strength. From the same stroke I can …

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Jorn Ebner

Jorn Ebner By asking users or viewers to interact, the work of art creates a certain intimacy. The individual is engaged in a process that to me is quite similar to reading a book. The new technologies enable this interactivity …

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